“I’ve never played a barre chord in my life. I hate them. You don’t need more than two or three notes to express a chord”: Andy Summers on his “abstracted instrumental” collabs with Robert Fripp, his dream pedalboard, and what he learned from Béla Bartók … from Guitarworld

It was the ’80s and Andy Summers was living the dream as guitar culture grew, and his side-project with King Crimson’s mad-genius Fripp gave him the opportunity to work his art-house cinema influences into music Read More