On Thursday, November 14 Wes Gordon staged his Carolina Herrera Resort 2025 collection in Mexico City. Gordon has been at the helm of the New York-based fashion brand (founded in 1980) since 2018. As a love letter to Mexico, the American designer and Central Saint Martins graduate presented a lineup boasting an explosion of volume and vivid color. Gordon opted to unveil his joyous collection amid the stone totems at The Diego Rivera Anahuacalli Museum. The collection also showcases intricate embroideries and ceramic embellishments from local Mexican female artisans (including María de los Ángeles Licona and Araceli Nibra Matadamas). The destination show also gave us our first glimpse at the Carolina Herrera x Frame collab.
Watch the Carolina Herrera Resort 2025 show:
Read below the reactions of theFashionSpot’s forum members:
“Exactly what you’d expect and, I think, exactly what their customer wants.” [KoV]
“Gorgeous. Every single look. The prints, the colors, the shirts, the skirts, the dresses. The makeup and the jewelry too. Been a long time since I’ve seen a collection that colorful and that joyful.” [imjustken]
“Despite this collection being safe, it feels refreshing to see real clothes that deliver what customers want. As a whole, the collection is beautiful.” [EDEN21]
“CH is one of the few brand still embracing the spirit of American fashion even though it is very old-fashioned and dated in the dominant scene of modernity. I guess it is good for the brand to cater this specific clientele who enjoy the elegance and femininity. Some of the prints and color are very beautiful.” [JohannesL]
“Another fine display from Wes Gordon as Carolina Herrera creative director. Flawless collection from start to finish. I love the volumes, the vivid colors, and the inclusion of the Mexican artisans.” [vogue28]
See all the looks from the Carolina Herrera Resort 2025 collection and join the conversation, here.
The post Forum Members Review the ‘Flawless’ Carolina Herrera Resort 2025 Collection appeared first on theFashionSpot.
